Acting

I‘ve been acting since I was eight years old, in childrens‘ plays and school productions. I followed that dream to Temple University, where I got my degree in Theater Arts with a concentration in Acting. During my time at Temple, I was able to hunt special skills; Acquiring training in Dialects, Shakespeare, Film Acting, and Stage Combat.

I‘m currently studying Stage Combat under Fight Master Ian Rose and several other members of the Society of American Fight Directors, with certifications in Unarmed, Single Sword, Staff, Rapier and Dagger, Longsword, and Sword and Shield. Check out my work!

Download my acting resume

RJ, playing a young man in torn jeans and a dark-gray hoodie, sits on a black-box stage surrounded by various boxes. He's hunched over sheet music and playing a guitar, with strong, warm overhead lighting casting deep shadows. Behind him, another character listens while leaning against a larger box.

RJ backstage preparing for a performance. He's wearing a blue collared shirt and black apron, and his hair has been heavily gelled and slicked back. He looks at the camera with a slightly crazy expression.

RJ posing heroically in costume in front of some large conifer trees and rocks at the Pennsylvania Renaissance Faire. He's wearing a blue and silver doublet, metal and leather armor, and black pants and boots. He’s wielding a foam longsword in one hand.

RJ trying his best to look menacing in a halloween costume on his way to class. He's wearing an eye patch, gelled-back hair, and makeup resembling a faint, large facial scar. He’s wearing a dark dress shirt, vest and tie with his collar popped, and a leather jacket over that, with that collar popped too.

RJ, playing a stiff character in a green suit, is sprawled on the floor, unresponsive. A woman in a negligee is kneeling at his side holding his hat, and another man stands over him; the two are frantically bickering about how best to deal with his condition.

RJ, playing a stiff character in a green suit, frustratedly brandishing some paperwork at an out-of-frame scene partner. A man in the background hovers disapprovingly.

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